t v

Distorted TV set, Galerie Parnass, Wuppertal, Germany, 1963 / excerpts from Paik's essay "afterlude to the exposition EXPERIMENTAL TELEVISION, 1963, Galerie Parnass" published in The Fluxus Newspaper, 1964 / Beatles Electroniques / detail from letter to John Cage, 1964 / Charlotte Moorman with Chroma Key Glasses, 1971 / detail from letter to John Cage, 1965 / Dream TV, pencil drawing, 1973
from VIDEA 'N' VIDEOLOGY: NAM JUNE PAIK (1959-1973) edited by Judson Rosebush, Everson Museum of Art, Syracuse, NY, and Galeria Bonino, NY, 1974

Remy Charlip: It Looks Like Snow

...

It Looks Like Snow by Remy Charlip, Young Scott Books, 1957 [32]pp

For John Cage

Set by hand and printed by Igal Roodenko in and edition of 750

Wraparound cover, constructed to be mailed. This one wasn't.

The book was reprinted by William Morrow and Co. in 1983 and again in french as On Dirait Qu'il Neige by Edition Les Trois Ourses in 2000. Apparently, Bruno Munari responded with his own book Little White Riding Hood (Cappuccetto Bianco), Corraini, 1999.

Remy Charlip: What Is The World?

Endpapers by Ray Johnson

What is the World? by Betty Miles, illustrated by Remy Charlip, Knopf 1958. Charlip illustrated two more books for Betty Miles: A Day Of Summer (1960) and A Day Of Winter (1961), but this is by far the best of those collaborations. Contains contributions by Ray Johnson (endpapers), John Cage ("snow flakes") and Norman Solomon ("postcard"). Remy Charlip was friends with Johnson and he appears in the extra footage of the great film How To Draw A Bunny.
More Remy Charlip posts to follow.