Showing posts with label art brut. Show all posts
Showing posts with label art brut. Show all posts
Monday, August 6, 2012
schneefall / oswald tschirtner's featherpen
Über Schizophrenie und die Federzeichnungen des Patienten O.T. by Leo Navratil, DTV, Munich, 1974 (Oswald Tschirtner)
Sunday, November 27, 2011
Carlo Zinelli






Deux carrés blancs avecs maisons et personnages, 1957-58 / Horlages sur fond de "petits prêtres", 1962 / "Bouteilles jaunes" et "petits prêtres", 1960 / Ensemble de formes noires sur fond blanc, 1963 / Visage d'homme and Viseage aux pommettes pointues, 1957-58 / Personnage orange avec nid sur un chapeau pointu (detail), 1967 / Michael Noble and Carlo Zinelli in studio, 1962from Carlo Zinelli, Somogy Editions d'Art, Paris, 2003 (French language)
(Carlo Zinelli 1916-1974)
Labels:
art,
art brut,
books,
Carlo Zinelli,
outsider
Sunday, November 13, 2011
Einfarar í íslenskri myndlist






Ásgeir Emilsson's house in Seyðisfjörð / Oskar Magnusson and Blómey Stefánsdóttir with their woven portrait of Joseph Stalin (late 1970's) / Eggert Magnússon, A Falconer in Hamburg, 1984 / Ísleifur Konráðsson, Hofgardar, The farmstead of a Saga-period settler, 1962 / Gunnar Gudmundsson and Guðmunda Jónsdóttir's living room / Stefan Jonsson of Möðrudalur, Sheep of Mount Herdubreid, 1982 / Grima, Leaf boats (no date)from Naive and Fantastic Art in Iceland, Adalsteinn Ingólfsson, Iceland Review, Reykjavik, 1989 (previously)
This one goes to Will Schofield of 50Watts (formerly A Journey Round My Skull). Stopping Off Place was recently honoured with a two part feature on Will's mindbending blog. See his selection of the best of Stopping Off Place in Black & White and Colour. Thanks!
Wednesday, August 24, 2011
Tuesday, August 23, 2011
Der mythisch-magische Charakter / Baumbemalungen








(more from) August Walla: Sein Leben & Seine Kunst by Leo Navratil, Greno, 1988 (German language) (also previously)
Labels:
art,
art brut,
august walla,
books,
Gugging,
hand lettering,
outsider,
signage
Wednesday, May 25, 2011
Orth
Verschwinden von Restmudigkeit, 1987 / Begleitung zu fliessbandahnlichen Arbeiten, 1988 / Vierermannchen, 1986 / Der echte Feuerfrier - Effekt, 1989
from Dietrich Orth, Portikus Frankfurt am Main, 1997 (german language)
"In his work, Orth investigates a variety of subjects including his own body language, the effects of his prescribed psycho-pharmaceuticals and particular mental/emotional states like rage or dignity. " (from here)
"any smaller or larger disturbances of the feeling of being undisturbed have to be corrected, sublimed, or rerouted." and "the observation and development of the smallest little piece of satisfaction is the strongest weapon against social chaos." - Dietrich Orth (from Artforum, Sept. 1994)
Labels:
art,
art brut,
books,
Collage,
Dietrich Orth,
drawing,
mental health,
outsider,
painting
Thursday, April 14, 2011
SCHEIBÖCK, Johann
from L'ART BRUT 12: GUGGING, Publications de la Collection de l'Art Brut, Lausanne, 1983 (reproduction)--- JOHANN SCHEIBÖCK was an artist from the Gugging House of Artists in Vienna.
Saturday, February 26, 2011
Picassiette (the plate stealer)
Raymond Isidore, Interior of the Maison Picassiette, Chartres, France, begun c. 1938from Gardens of Revelation: Environments by Visionary Artists by John Beardsley, Abbeville Press, 1995
Thursday, February 17, 2011
Sunday, January 30, 2011
palais idéal







from La Palais Idéal du Facteur Cheval: Quand le songe devient la réalité by Jean-Pierre Jouve, Claude Prevost, & Clovis Prevost, A.R.I.E. éditions, 1981 (1994 edition) French languageFarmer, baker, and postman, Ferdinand Cheval dreamt of building his Palais Idéal (Ideal Palace) for twleve years prior to actually undertaking the project, which absorbed thirty-three years of his life. Inspired in 1879 by the chance discovery of an extraordinary piece of sandstone, Cheval, completely unschooled in building, resolved to become a mason and architect in order to utilize what he later referred to as nature's sculpture. On his postal rounds in the southeastern village of Hauterives (France), he collected stones of odd and fanciful shapes, transporting them home first in his pockets and later by wheelbarrow to be used in his construction. (from Parallel Visions: Modern Artists and Outsider Art, LACMA/Princeton, 1992)
Andre Bréton called him the "undisputed master of mediumistic sculpture and architecture".
Labels:
architecture,
art,
art brut,
books,
Ferdinand Cheval,
outsider
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