October 31

October 2010

October 2009

ghost writing

...

(details from) How To Tell a Monster from a Friend by Alvin Granowsky, DC Heath & Co., 1973

eye four kettle ear

A Wet Handle by Ivor Cutler, Arc Publications, 1996

previously

and her beauty - it would shine forth - like a fountain of snow

In Praise of Shirley Collins. Beautiful. Beautiful. Sing me over.

visit her site, listen and listen

Art Education 5

Art in the Early Childhood Years by Lendall L. Haskell, Charles E. Merrill Publishing Co., Columbus, 1979

+

Teach Yourself to Build by Edward Allen and Gale Beth Goldberg, M.I.T. Press, 1979

One Eyed Thing, Moon Maiden, Demon Spirit

(step-by-step photos from) Creature Costumes by Marcia Lynn Cox, Tempo Books/Grosset & Dunlap, 1977

ATOK

John Atok, Man in Kayak, Antler and graphite, 1972
from Eskimo Point/Arviat, Winnipeg Art Gallery, 1982

D.N.

David Noonan: Pageant, Foxy Production, NY, 2007

more here and here

Plastics

"Acrylic plastic is an ideal material for constructing abstract sculptures such as those shown in Figs. 6-86 through 6-89. These abstract sculptures require cutting and edge-shaping, as well as cementing acrylic plastic pieces together."
from Working With Acrylic Plastics - Including 77 Projects by Jack Wiley, Tab Books, Blue Ridge Summit, PA, 1986

Ben: terrain vague

(Terrain Vague, 1961, 1970 / Partie Du Tout A Ben, 1960 / Le Temps, 1961 / To Change Art Destroy Ego, 1965, 1968 / Centre Du Monde, 1962 / Jeter Dieu a la Mer, 1962 / Voiture, ca. 1964-65 / Voiture, ca. 1964-65 / Le Vitres De Magazins, 1979 )
From Strip Tease Intégral de Ben (Rétrospective Ben [Vautier]), Somogy editions d'art/ MAC Lyon, Paris/Lyon, 2010 (french language)

previously and previously