Showing posts with label art brut. Show all posts
Showing posts with label art brut. Show all posts

Monday, August 6, 2012

schneefall / oswald tschirtner's featherpen

Über Schizophrenie und die Federzeichnungen des Patienten O.T. by Leo Navratil, DTV, Munich, 1974 (Oswald Tschirtner)

Sunday, November 27, 2011

Carlo Zinelli

Deux carrés blancs avecs maisons et personnages, 1957-58 / Horlages sur fond de "petits prêtres", 1962 / "Bouteilles jaunes" et "petits prêtres", 1960 / Ensemble de formes noires sur fond blanc, 1963 / Visage d'homme and Viseage aux pommettes pointues, 1957-58 / Personnage orange avec nid sur un chapeau pointu (detail), 1967 / Michael Noble and Carlo Zinelli in studio, 1962
from Carlo Zinelli, Somogy Editions d'Art, Paris, 2003 (French language)

(Carlo Zinelli 1916-1974)

Sunday, November 13, 2011

Einfarar í íslenskri myndlist

Ásgeir Emilsson's house in Seyðisfjörð / Oskar Magnusson and Blómey Stefánsdóttir with their woven portrait of Joseph Stalin (late 1970's) / Eggert Magnússon, A Falconer in Hamburg, 1984 / Ísleifur Konráðsson, Hofgardar, The farmstead of a Saga-period settler, 1962 / Gunnar Gudmundsson and Guðmunda Jónsdóttir's living room / Stefan Jonsson of Möðrudalur, Sheep of Mount Herdubreid, 1982 / Grima, Leaf boats (no date)
from Naive and Fantastic Art in Iceland, Adalsteinn Ingólfsson, Iceland Review, Reykjavik, 1989 (previously)

This one goes to Will Schofield of 50Watts (formerly A Journey Round My Skull). Stopping Off Place was recently honoured with a two part feature on Will's mindbending blog. See his selection of the best of Stopping Off Place in Black & White and Colour. Thanks!

Wednesday, August 24, 2011

...

Outsider Art by Roger Cardinal, Praeger, NY, 1972

Tuesday, August 23, 2011

Der mythisch-magische Charakter / Baumbemalungen

(more from) August Walla: Sein Leben & Seine Kunst by Leo Navratil, Greno, 1988 (German language) (also previously)

Wednesday, May 25, 2011

Orth









Verschwinden von Restmudigkeit, 1987 / Begleitung zu fliessbandahnlichen Arbeiten, 1988 / Vierermannchen, 1986 / Der echte Feuerfrier - Effekt, 1989
from Dietrich Orth, Portikus Frankfurt am Main, 1997 (german language)
"In his work, Orth investigates a variety of subjects including his own body language, the effects of his prescribed psycho-pharmaceuticals and particular mental/emotional states like rage or dignity. " (from here)
"any smaller or larger disturbances of the feeling of being undisturbed have to be corrected, sublimed, or rerouted." and "the observation and development of the smallest little piece of satisfaction is the strongest weapon against social chaos." - Dietrich Orth (from Artforum, Sept. 1994)

Thursday, April 14, 2011

SCHEIBÖCK, Johann

JOHANN SCHEIBÖCK: case / tiled oven / 1 chair 1 deck chair

from L'ART BRUT 12: GUGGING, Publications de la Collection de l'Art Brut, Lausanne, 1983 (reproduction)--- JOHANN SCHEIBÖCK was an artist from the Gugging House of Artists in Vienna.

Saturday, February 26, 2011

Picassiette (the plate stealer)

Raymond Isidore, Interior of the Maison Picassiette, Chartres, France, begun c. 1938
from Gardens of Revelation: Environments by Visionary Artists by John Beardsley, Abbeville Press, 1995

Thursday, February 17, 2011

Nuestro Pueblo

Simon Rodia's towers in Watts, CA, earlier today.
(Simon Rodia 1879-1965)

Sunday, January 30, 2011

palais idéal

from La Palais Idéal du Facteur Cheval: Quand le songe devient la réalité by Jean-Pierre Jouve, Claude Prevost, & Clovis Prevost, A.R.I.E. éditions, 1981 (1994 edition) French language

Farmer, baker, and postman, Ferdinand Cheval dreamt of building his Palais Idéal (Ideal Palace) for twleve years prior to actually undertaking the project, which absorbed thirty-three years of his life. Inspired in 1879 by the chance discovery of an extraordinary piece of sandstone, Cheval, completely unschooled in building, resolved to become a mason and architect in order to utilize what he later referred to as nature's sculpture. On his postal rounds in the southeastern village of Hauterives (France), he collected stones of odd and fanciful shapes, transporting them home first in his pockets and later by wheelbarrow to be used in his construction. (from Parallel Visions: Modern Artists and Outsider Art, LACMA/Princeton, 1992)

Andre Bréton called him the "undisputed master of mediumistic sculpture and architecture".